Linus

Lĭnus (-os), i, m., = Λίνος, Linus.

• I A son of Apollo and Psammate, daughter of Crotopus, king of the Argives; he was given by his mother to the care of shepherds, and one day, being left alone, was torn to pieces by dogs; whereupon Apollo sent into the land a monster which destroyed everything, until slain by Choroebus, Stat. Th. 6, 64; 1, 557 sqq.—
• II The son of Apollo and Terpsichore, instructor of Orpheus and Hercules, the latter of whom killed him by a blow with the lyre: flam, ut ego opinor, Hercules, tu autem Linus, Plaut. Bacch. 1, 2, 47 (155); Verg. E. 4, 56; Prop. 2, 10 (3, 4), 8, who confounds him with the preceding. According to others, he was a son of Mercury and Urania, and was killed by Apollo in Euboea, Hyg. Fab. 161; Mart. 9, 86, 4.—
• III A fountain in Arcadia, Plin. 31, 2, 7, § 10.

Linus u. Linos, ī, m. (Λίνος), Linus, I) in der Sage von Argos = ein Sohn Apollos u. der Psamathe, der Tochter des Argiverkönigs Krotopus, der aus Furcht vor ihrem Vater von der Mutter einem Hirten übergeben, unter den Lämmern der Herde erzogen und von den Hunden zerrissen wurde, weshalb Apollo ein Ungeheuer (eine Pest) über Argos sendete, das den Müttern die Kinder raubte, Stat. Theb. 1, 557–668; 6, 64 sq. – II) in der Sage von Theben = Sohn Apollos und der Muse Terpsichore, ausgezeichneter Sänger und Tonkünstler, Lehrer des Orpheus und Herkules, der, wegen seiner Fehlgriffe verlacht u. gescholten, ihn mit der Cithara erschlug, Verg. ecl. 4, 56: bei Verg. ecl. 6, 67 Hirtensänger zur Flöte, bei Prop. 2, 10, 8 Inachius gen., weil der Dichter auch diesen Linos nach Argos versetzt. – appellat., »ein Linus« = ein vom Schüler mißhandelter Lehrer, Plaut. Bacch. 155. – ➳ Nach einer ältern Sage ist Linus ein Sohn Apollos und der Urania, der sich mit seinem Vater selbst in einen Wettkampf einließ und darüber von ihm getötet wurde, Hyg. fab. 161. Mart. 9, 86, 4. – Auf Linos bezieht sich der Klagegesang Λίος und der Klageruf aelinos (αἴλινος), s. Ov. am. 3, 9, 23.

Lĭnus (13) ou Lĭnŏs, ī, m. (Λίνος), joueur de lyre, maître dʼOrphée et dʼHercule qui, un jour, blâmé par son maître, le tua en le frappant de sa lyre [v. Pl. Bacch. 155 ] : Virg. B. 4, 56 || petit-fils de Crotope, dévoré par des chiens : Stat. Th. 6, 64 || autres du même nom : Mart. 9, 86, 4 ; Bibl. || fontaine dʼArcadie : Plin. 31, 10.

Linus

(Λίνος), the personification of a dirge or lamentation, and therefore described as a son of Apollo by a Muse (Calliope, or by Psamathe or Chalciope, Apollod. 1.3.2; Paus. 1.43.7, 2.19.7; Eustath. ad Hom. p. 1164), or of Amphimarus by Urania (Paus. 9.29.3). Re specting his mother Psamathe, the story runs thus: --When she had given birth to Linus she exposed the child. He was found by shepherds, who brought him up, but the child was afterwards torn to pieces by dogs. Psamathe's grief at the occurrence betrayed her misfortune to her father, who condemned her to death. Apollo, in his indignation at the father's cruelty, visited Argos with a plague, and when his oracle was consulted about the means of averting the plague, he answered that the Argives must propitiate Psamathe and Linus. This was attempted by means of sacrifices, and matrons and virgins sang dirges which were called λίνοι, and the month in which this solemnity was celebrated was called ἀρνειός, and the festival itself ἀρνίς, because Linus had grown up among lambs. The pestilence, however, did not cease until Crotopus quitted Argos and settled at Tripodisium, in Megaris (Conon. Narrat. 19; Paus. 1.43.7; Athen. 3.99). According to a Boeotian tradition Linus was killed by Apollo, because he had ventured upon a musical contest with the god (Paus. 9.29.3; Eustath. ad Hom. p. 1163), and near Mount Helicon his image stood in a hollow rock, formed in the shape of a grotto; and every year before sacrifices were offered to the Muses, a funeral sacrifice was offered to him, and dirges (λίνοι) were sung in his honour. His tomb was claimed both by the city of Argos and by Thebes (Paus. l.c., comp. 2.19.7); but after the battle of Chaeroneia, Philip of Macedonia was said to have carried away the remains of Linus from Thebes to Macedonia. Subsequently, however, the king was induced by a dream to send the remains back to Thebes. Chalcis in Euboea likewise boasted of possessing the tomb of Linus, the inscription of which is preserved by Diogenes Laertius (Prooem. 4; comp. Suid. s. v. Λίνος). Being regarded as a son of Apollo and a Muse, he is said to have received from his father the three-stringed lute, and is himself called the inventor of new melodies, of dirges (Δρῆνοι), and of songs in general. Hesiod (ap. Clem. Alex. Strom. i. p. 330) even calls him παντοίης σοφίης δεδαηκώς. It is probably owing to the difficulty of reconciling the different mythuses about Linus, that the Thebans (Paus. 9.29, in fin.) thought it necessary to distinguish between an earlier and later Linus; the latter is said to have instructed Heracles in music, but to have been killed by the hero (comp. Apollod. 2.4.9; Theocrit. 24.103; Diod. 3.67; Athen. 4.164). In the time of the Alexandrine grammarians people even went so far as to look upon Linus as an historical personage, and to consider him, like Musaeus, Orpheus, and others, as the author of apocryphal works (Diod. 3.66), in which he described the exploits of Dionysus; Diogenes Laertius (Prooem. 3), who calls him a son of Hermes and Urania, ascribes to him several poetical productions, such as a cosmogony on the course of the sun and moon, on the generation of animals and fruits, and the like.

The principal places in Greece which are the scenes of the legends about Linus are Argos and Thebes, and the legends themselves bear a strong resemblance to those about Hyacynthus, Narcissus, Glaucus, Adonis, Maneros, and others, all of whom are conceived as handsome and lovely youths, and either as princes or as shepherds. They are the favourites of the gods; and in the midst of the enjoyment of their happy youth, they are carried off by a sudden or violent death; but their remembrance is kept alive by men, who celebrate their memory in dirges and appropriate rites, and seek the vanished youths generally about the middle of summer, but in vain. The feeling which seems to have given rise to the stories about these personages, who form a distinct class by themselves in Greek mythology, is deeply felt grief at the catastrophes observable in nature, which dies away under the influence of the burning sun (Apollo) soon after it has developed all its fairest beauties. Those popular dirges, therefore, originally the expression of grief at the premature death of nature through the heat of the sun, were transformed into lamentations of the deaths of youths, and were sung on certain religious occasions. They were afterwards considered to have been the productions of the very same youths whose momory was celebrated in them. The whole class of songs of this kind was called Δρῆνοι οἲ͂κτοι, and the most celebrated and popular among them was the λίνος, which appears to have been popular even in the days of Homer. (il. 18.569, with the Schol.) Pamphos, the Athenian, and Sappho, sang of Linus under the name of Oetolinus (οἲ͂τος Λίνου, i. e. the death of Linus, Paus. 9.29.3); and the tragic poets, in mournful choral odes, often use the form αἴλινος (Aeschyl. Agam. 121; Soph. Ajax, 627 ; Eur. Phoen. 1535, Orest. 1380), which is a compound of at, the interjection, and Λίνε. As regards the etymology of Linus, Welcker regards it as formed from the mournful interjection, li, while others, on the analogy of Hyacinthus and Narcissus, consider Linus to have originally been the name of a flower (a species of narcissus). (Phot. Lex. p. 224, ed. Pors.; Eustath. ad Hom. p. 99; compare in general Ambrosch, De Lino, Berlin, 1829, 4to; Welcker, Kleine Schriften, i. p. 8, &c.; E. v. Lasaulx, Ueber die Linosklage, Wiirzburg, 1842, 4to.) [L.S]

LINUS

LINUS (Λῖνος), a place on the coast of Mysia, on the Propontis, between Priapus and Parium ; it is noticed only by Strabo (13. p. 588), as the spot where the best snails (κοχλίαι) were found.

[L.S]

Linus

(Λίνος). The personification of a dirge or lamentation, and therefore described as a son of Apollo by a Muse (Calliopé, or by Psamathé or Chalciopé) or of Amphimarus by Urania. Both Argos and Thebes claimed the honour of his birth. An Argive tradition related that Linus was exposed by his mother after his birth, and was brought up by shepherds, but was afterwards torn to pieces by dogs. Psamathé's grief at the occurrence betrayed her misfortune to her father, who condemned her to death. Apollo, indignant at the father's cruelty, visited Argos with a plague; and, in obedience to an oracle, the Argives endeavoured to propitiate Psamathé and Linus by means of sacrifices and dirges, which were called lini. According to a Boeotian tradition, Linus was killed by Apollo because he had ventured upon a musical contest with the god. The Thebans distinguished between an earlier and later Linus ; the latter is said to have instructed Heracles in music, but to have been killed by the hero.

Linus Linus, a youth lamented in Greek song

• identified by Herodotus with the Egyptian Maneros: Hdt. 2.79
• son of Amphimarus and Urania, slain by Apollo: Paus. 9.29.6
• buried at Thebes: Paus. 9.29.8
• his grave shown at Argos: Paus. 2.19.8
• lamented in foreign lands: Paus. 9.29.7
• song of Linus: Paus. 9.29.7
• annual sacrifices to: Paus. 9.29.6
• no poems of his extant: Paus. 9.29.9
• poem falsely ascribed to: Paus. 8.18.1

Linus(2), son of Apollo and Psamathe

• Paus. 2.19.8, cf. Paus. 1.43.7
• his grave: Paus. 2.19.8

Linus(3), son of Ismenius

• teacher of music, killed by Herakles: Paus. 9.29.9

Linus(4), son of Lycaon

• Apollod. 3.7.7

Linus(5), son of Oeagrus by the Muse Calliope

• Apollod. 1.3.1
• slain by Herakles: Apollod. 1.3.1, Apollod. 2.4.9
• brother of Orpheus, teaches Herakles to play the lyre: Apollod. 2.4.8, Apollod. 2.4.9